We sat in the adjacent kitchen in the dark--for we dared not strike a light--and ate bread and ham, and drank beer out of the same bottle. The curate, who was still timorous and restless, was now, oddly enough, for pushing on, and I was urging him to keep up his strength by eating when the thing happened that was to imprison us.

"It can't be midnight yet," I said, and then came a blinding glare of vivid green light. Everything in the kitchen leaped out, clearly visible in green and black, and vanished again. And then followed such a concussion as I have never heard before or since. So close on the heels of this as to seem in- stantaneous came a thud behind me, a clash of glass, a crash and rattle of falling masonry all about us, and the plaster of the ceiling came down upon us, smashing into a multitude of fragments upon our heads. I was knocked headlong across the floor against the oven handle and stunned. I was insensible for a long time, the curate told me, and when I came to we were in darkness again, and he, with a face wet, as I found afterwards, with blood from a cut forehead, was dabbing water over me.

For some time I could not recollect what had happened. Then things came to me slowly. A bruise on my temple temple as- serted itself.

"Are you better?" asked the curate in a whisper.

At last I answered him. I sat up.

"Don't move," he said. "The floor is covered with smashed crockery from the dresser. You can't possibly move without making a noise, and I fancy THEY are outside."

We both sat quite silent, so that we could scarcely hear each other breathing. Everything seemed deadly still, but once something near us, some plaster or broken brickwork, slid down with a rumbling sound. Outside and very near was an intermittent, metallic rattle.

"That!" said the curate, when presently it happened again.

"Yes," I said. "But what is it?"

"A Martian!" said the curate.

I listened again.

"It was not like the Heat-Ray," I said, and for a time I was inclined to think one of the great fighting-machines had stumbled against the house, as I had seen one stumble against the tower of Shepperton Church.

Our situation was so strange and incomprehensible that for three or four hours, until the dawn came, we scarcely moved. And then the light filtered in, not through the window, which remained black, but through a triangular aperture between a beam and a heap of broken bricks in the wall behind us. The interior of the kitchen we now saw greyly for the first time.

The window had been burst in by a mass of garden mould, which flowed over the table upon which we had been sitting and lay about our feet. Outside, the soil was banked high against the house. At the top of the window frame we could see an uprooted drainpipe. The floor was littered with smashed hardware; the end of the kitchen towards the house was broken into, and since the daylight shone in there, it was evident the greater part of the house had collapsed. Con- trasting vividly with this ruin was the neat dresser, stained in the fashion, pale green, and with a number of copper and tin vessels below it, the wallpaper imitating blue and white tiles, and a couple of coloured supplements fluttering from the walls above the kitchen range.

Oddly enough, she was one of the most thoroughgoing sceptics he had ever met, and possibly (this was a theory he used to make up to account for her, so transparent in some ways, so inscrutable in others), possibly she said to herself, As we are a doomed race, chained to a sinking ship (her favourite reading as a girl was Huxley and Tyndall, and they were fond of these nautical metaphors), as the whole thing is a bad joke, let us, at any rate, do our part; mitigate the sufferings of our fellow-prisoners (Huxley again); decorate the dungeon with flowers and air-cushions; be as decent as we possibly can. Those ruffians, the Gods, shan’t have it all their own way,—her notion being that the Gods, who never lost a chance of hurting, thwarting and spoiling human lives were seriously put out if, all the same, you behaved like a lady. That phase came directly after Sylvia’s death—that horrible affair. To see your own sister killed by a falling tree (all Justin Parry’s fault—all his carelessness) before your very eyes, a girl too on the verge of life, the most gifted of them, Clarissa always said, was enough to turn one bitter. Later she wasn’t so positive perhaps; she thought there were no Gods; no one was to blame; and so she evolved this atheist’s religion of doing good for the sake of goodness.

And of course she enjoyed life immensely. It was her nature to enjoy (though goodness only knows, she had her reserves; it was a mere sketch, he often felt, that even he, after all these years, could make of Clarissa). Anyhow there was no bitterness in her; none of that sense of moral virtue which is so repulsive in good women. She enjoyed practically everything. If you walked with her in Hyde Park now it was a bed of tulips, now a child in a perambulator, now some absurd little drama she made up on the spur of the moment. (Very likely, she would have talked to those lovers, if she had thought them unhappy.) She had a sense of comedy that was really exquisite, but she needed people, always people, to bring it out, with the inevitable result that she frittered her time away, lunching, dining, giving these incessant parties of hers, talking nonsense, sayings things she didn’t mean, blunting the edge of her mind, losing her discrimination. There she would sit at the head of the table taking infinite pains with some old buffer who might be useful to Dalloway—they knew the most appalling bores in Europe—or in came Elizabeth and everything must give way to HER. She was at a High School, at the inarticulate stage last time he was over, a round-eyed, pale-faced girl, with nothing of her mother in her, a silent stolid creature, who took it all as a matter of course, let her mother make a fuss of her, and then said “May I go now?” like a child of four; going off, Clarissa explained, with that mixture of amusement and pride which Dalloway himself seemed to rouse in her, to play hockey. And now Elizabeth was “out,” presumably; thought him an old fogy, laughed at her mother’s friends. Ah well, so be it. The compensation of growing old, Peter Walsh thought, coming out of Regent’s Park, and holding his hat in hand, was simply this; that the passions remain as strong as ever, but one has gained—at last!—the power which adds the supreme flavour to existence,—the power of taking hold of experience, of turning it round, slowly, in the light.